Archive for the ‘television’ Category
Recasting My TV
I’ve recast my TV situation with a new Amazon Recast.
I cut the cord on regular cable about six years ago, and in that six years my TiVo Premiere box and an RCA indoor digital antenne did a fine job of providing me plenty of free content to watch.
Only it wasn’t free, because I was paying $15.99/month to TiVo every month for the past six years.
So now I’ve cut yet another cord with my purchase of an Amazon Recast.
What is that, you ask? It’s like a TiVo, only I don’t pay $15.99 a month. Once I bought the Recast box, the OTA content is as it should be, free.
Recast is basically an OTA DVR, but it’s beauty is it’s also tied into the Amazon ecosystem, so I’m able to control the programming both with an Amazon Fire Stick and an Amazon Tap speaker.
It also didn’t require anything to hook up to my older (2014 model) Samsung Smart TV, as everything works through the Fire Stick and the Recast via wifi (as long as they’re both on the same network).
In terms of the interface, it’s not unlike a TiVo (or any other programming guide), and the synergy with the Amazon Echo ecosystem is pretty seamless so far (although I’m still figuring out all the different commands).
I’ll know more in another week or two.
Speaking of tying up ecosystems, Walmart has announced that it will let customers order groceries by voice through Google’s smart-home assistant, “an attempt to counter Amazon.com Inc.’s growing clout in e-commerce, reports Bloomberg.
Beginning this month, Walmart shoppers can add items directly to their online shopping carts by saying “Hey Google, talk to Walmart.” Information from prior purchases will help identify the correct brand and size — like whether you drink 1 percent or skim milk without having to specify, according to Tom Ward, Walmart’s senior vice president of digital operations. In a blog post Tuesday, he said customers can tweak their orders at home or from their smartphone while on the go.
As a loyal Walmart customer, I guess I’ll starve for now when it comes to ordering with my Amazon Tap.
But at least I can make my TV go!
Live @ Information On Demand 2012: A Q&A With Nate Silver On The Promise Of Prediction
Day 3 at Information On Demand 2012.
The suggestion to “Think Big” continued, so Scott Laningham and I sat down very early this morning with Nate Silver, blogger and author of the now New York Times bestseller, “The Signal and the Noise” (You can read the review of the book in the Times here).
Nate, who is a youngish 34, has become our leading statistician through his innovative analyses of political polling, but made his original name by building a widely acclaimed baseball statistical analysis system called “PECOTA.”
Today, Nate runs the award-winning political website FiveThirtyEight.com, which is now published in The New York Times and which has made Nate the public face of statistical analysis and political forecasting.
In his book, the full title of which is “The Signal and The Noise: Why Most Predictions Fail — But Some Don’t,” Silver explores how data-based predictions underpin a growing sector of critical fields, from political polling to weather forecasting to the stock market to chess to the war on terror.
In the book, Nate poses some key questions, including what kind of predictions can we trust, and are the “predicters” using reliable methods? Also, what sorts of things can, and cannot, be predicted?
In our conversation in the greenroom just prior to his keynote at Information On Demand 2012 earlier today, Scott and I probed along a number of these vectors, asking Nate about the importance of prediction in Big Data, statistical influence on sports and player predictions (a la “Moneyball”), how large organizations can improve their predictive capabilities, and much more.
It was a refreshing and eye-opening interview, and I hope you enjoy watching it as much as Scott and I enjoyed conducting it!
Breaking Bad Habits
I recently gave up my HBO habit.
I was tired of paying the premium through my AT&T U-Verse subscription, and I’d been putting off for far too long giving some money to The New York Times digital edition, content from which I consume daily.
So far, it’s been a mostly fair trade.
Though I’m going to miss shows like “Game of Thrones” and “The Newsroom” and “True Blood,” as well as Bill Maher (especially during the political season), I figured being able to get all of the Times’ content on any of my digital devices (and I have many!) at any time was easy math: The digital paywall became more forbidding than the bundle became enticing.
No sooner do I make this move, than I read in Variety this morning that HBO is going to give the Nordic countries the opportunity to cut the chord by allowing folks to subscribe to HBO without having to have an HBO pay-TV subscription.
The Variety story dug deeper into the Nordic permafrost, indicating this was a competitive matching move, an announcement short on the heels of Netflix announcing its move into Sweden, Norway, Finland and Denmark.
I laugh at this — I don’t live in a Nordic country, what good does this do me??!!
I did visit Stockholm once — could that qualify me for a subscription???
It’s no wonder more and more people are cutting the cord on cable TV.
Cable has a business model for offering content that is completely antiquated, and entirely out of line with the direction of more a la carte offerings in a digital world.
I only cut a small piece of the cord…this time around…but unless I’m giving more choices and flexibility in content soon, as opposed to their traditional bundling…well, HBO isn’t the only habit I can break.
Whitney
The older I become, the more people I know and love who seem go off and die on me.
That’s just a part of growing older, I know, but the the past couple of years the pace seems to have picked up a bit. I’ve lost three good friends and a dear uncle to cancer-related illnesses and an accident in the past year alone, and all of them well before their years.
So when I heard the news about Whitney Houston over the weekend, like so many others, I was stunned. We hadn’t heard much from her in recent years, and when we did, it was often initiated in tabloids.
But back in her heyday, when we heard from her regularly, it was from that whopping, stunning, belting angelic voice — it was like she could reach out and sing to the whole wide world.
Judging from the outpouring of love, sadness, sympathy and fond remembrance in the social realm this weekend after the news was out, she did reach the whole wide world. I never knew there were so many Whitney Houston fans out there. Yesterday afternoon, Facebook was literally a living memorial to the singer.
I also immediately felt bad for the Grammys producers. To receive such momentous and tragic news the night before the Grammys broadcast, and then to have to try and figure out how to both remember Whitney and continue to fete the year in music??!
Not an easy balance to strike.
In 1998, I had occasion to work with the Grammys team when IBM sponsored and produced the official Webcast. That year, the Dixie Chicks broke out, Monica was celebrated, and Will Smith won for best rap album. But what I always remembered was how professional and capable were the people behind the scenes at the National Academy of Recording Arts and Sciences.
So I was hardly surprised when this year’s excellent Grammys emcee, LL Cool J, walked onstage after Bruce Springteen’s opening act and addressed Whitney’s passing head on and with a prayer, explaining “This night is about something truly universal and healing. This night is about music.”
Or when several of the other artists tipped their hat to Whitney in some way during their own respective performances.
Or, of course, during Jennifer Hudson’s haunting performance of the song Whitney made famous, “I Will Always Love You.” I’m not sure how Hudson got through that song without breaking down onstage herself.
However carefully orchestrated the tribute was, it was tastefully executed and left me thinking this was one of the most exciting Grammy’s broadcasts in years.
I hadn’t planned on watching the Grammys this year, but curiosity got the better of me — not only because of Whitney’s passing, but also because I knew I’d likely see a lot of music I wouldn’t have otherwise known about.
Like Adele. I missed Adele on the first go around at the Grammys, and though I have heard a couple of her songs, I never put the name and the face together. She was just a name I kept hearing.
And before you suggest I live under a rock, the fact is, I don’t listen much to the radio anymore, and I certainly don’t live on iTunes (you’ll more likely find me on Pandora). So for me, the Grammys is as good as a place as any to find out about new music — and to find out who Adele is.
Well, after seeing Adele interviewed by Anderson Cooper before the broadcast, and after watching her rendition last night of “Rolling in the Deep” during the broadcast, I became another instant in her otherwise millions of fans around the world.
Adele seems like she’s got a good head on her shoulders. She doesn’t seem to take all this fame and fortune stuff too seriously — but then she walks out on that stage before a few hundred million people and delivers that powerful singing punch like nobody’s business.
I hope she keeps it that way. Too many of our other great artists were taken too soon because of a combustible mixture of drugs and alcohol that are always, quite literally, a recipe for disaster.
We ask so much of them sometimes, our celebrities. We want to know everything about them. We want them to be perfect. We want them to be always on.
Instead of letting them just be human like the rest of us.
Elvis Presley. Marilyn Monroe. Jimi Hendrix. Janis Joplin. Michael Jackson. Amy Winehouse. And now, it seems, Whitney Houston.
I don’t know about you, but that list is enough tragedy to last me a lifetime.
So, I suggest we let Adele take her six Grammys and disappear back into the English countryside and that we leave her the hell alone until she’s ready to leave her compound and go back on tour.
Let her enjoy her gramophone trophies and hanging out with her new love — we’ve all got our own lives to get on about.
As for Whitney Houston, may she rest in peace. I, like so many others, will choose to remember her when she belted them out like in the video below, where she took the U.S. national anthem to a whole other level.
Whitney, you will be missed.
Luck
I decided to try my luck last night watching “Luck,” the new Michael Mann directed, David Milch produced HBO series about the sport of horse racing.
If you’re not familiar with David Milch’s work, you’re missing some of the best TV ever: “Hill Street Blues,” “NYPD Blue,” “Deadwood,” “Brooklyn South.” “Deadwood” has to be one of my all-time faves.
So Milch’s foray into horse racing, it turns out, wasn’t simply a fictional exercise. He’s also been a race horse owner himself.
The first episode, like a good long 1 1/4 mile race, got off to a slow start, but by the end of the episode you could see some momentum building.
We’ll see how the race for ratings for “Luck” pans out in the weeks ahead.
In the meantime, PGA golfer Kyle Stanley simply ran out of luck, or skill, or something at the Farmers Insurance tournament at Torrey Pines (San Diego, CA).
They were playing the South course over the weekend, one of my faves, and Stanley strutted into the 18th hole in his last round with a three stroke lead over Tennessean Brant Snedeker.
However, Stanley’s luck faded when he hit what seemed like a beauty of a shot over the water and behind the pin on the par 5 18th. However, the English he put on the ball spun it all the way back to the edge of the green and into the water.
Stanley then hit is now 5th shot into the green, and three putted for an 8, bringing Snedeker back into the tournament in a playoff that took them both back to the tee at 18. They tied on the first playoff hole, so they returned to the par 3 16th, where Snedeker sent his tee shot over the green next to the TV tower. He got a good drop (actually, a placement), and proceeded to chip within 6 feet. No gimme, but a makable turning putt.
Stanley plopped his tee shot onto the short side of the green, then put his putt also within 5 or 6 feet. Snedeker was ruled out, and in his ever impatient style, dropped his putt directly into the cup. Stanley, however, slid his putt past the hole, and it was painful to watch him realize a tournament that was his wire-to-wire, had suddenly dropped beyond his grasp.
If that’s the kind of drama we’re going to see in week 4 of the 2012 PGA Tour, then I can’t wait for next week…and to find out who else’s luck might run out!